| Pays | Titre | Année | Moy. (nb) | ||
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| Japon | Les Chants de Maldoror | マルドロールの歌 | 1977 | 1.25 (1 Critiq.) | |
| La Machine qui lit | 書見機 | 1977 | 1 (1 Critiq.) | ||
| Cinéma de l'ombre, une femme à deux têtes | 二頭女−映画の影 | 1977 | 3 (2 Critiq.) | ||
| An Attempt to describe the one-inch man | 一寸法師を記述する試み | 1977 | 1.75 (1 Critiq.) | ||
| La Gomme à effacer | 消しゴム | 1977 | 2.58 (3 Critiq.) | ||
| Attack on the Bakery | Panya shugeki | 1982 | 2.88 (2 Critiq.) | ||
| A Girl, She is 100 Percent | 1982 | 3 (2 Critiq.) | |||
| On Your Mark | On Your Mark | 1995 | 3.7 (20 Critiq.) | ||
| Noiseman Sound Insect | 音響生命体ノイズマン | 1997 | 3.5 (6 Critiq.) | ||
| Eternal family | 永久家族 | 1997 | 3.88 (4 Critiq.) | ||
| Jikken eiga | Jikken eiga | 1999 | |||
| Tokyo G.P. | Tokyo G.P. | 2001 | 4.25 (1 Critiq.) | ||
| She-Bear | 2002 | ||||
| Left Behind in the Mountain | 2002 | ||||
| Jam Films | 2002 | 3.29 (14 Critiq.) | |||
| Nurarihyon | 2002 | ||||
| Lost Souls | 2002 | ||||
| Peony Lamp | 2002 | ||||
| Yamamba | 2002 | ||||
| Goldfish Fetish | Goldfish Fetish | 2002 | 3.75 (1 Critiq.) | ||
