| Pays | Titre | Année | Moy. (nb) | ||
1
2
|
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| Hong-Kong | A Woman's Heart | 婦人心 | 1952 | ||
| Sweet Memories | 滿園春色 | 1952 | |||
| The World Turned Upside Down | 天翻地覆 | 1952 | |||
| The Closer the Better | 近水樓台 | 1952 | |||
| The Troubled Love of Wang Kui and Gui Ying | 王魁與桂英 | 1952 | |||
| Portrait of a Lady | 淑女圖 | 1952 | |||
| Destroy | 毀滅 | 1952 | |||
| The Moon-Blanch'd Land | 月兒彎彎照九州 | 1952 | |||
| Fatal Attraction | 孽緣 | 1952 | |||
| Inde | Mangala, Fille des Indes | 1952 | 1 (1 Critiq.) | ||
| Japon | Monsieur Lucky | Rakki-san | 1952 | 3 (1 Critiq.) | |
| Vivre | 生きる | 1952 | 4.41 (40 Critiq.) | ||
| Fireworks Over the Sea | 海の花火 | 1952 | 2.5 (1 Critiq.) | ||
| Par ci, par là | Ano te kono te | 1952 | 2 (1 Critiq.) | ||
| La Vie d'Oharu femme galante | Saikaku ichidai onna | 1952 | 4.1 (18 Critiq.) | ||
| L' Homme sans nationalité | Mukokuseki-sha | 1952 | |||
| La Jeunesse du Fils | 息子の青春 | 1952 | 3 (1 Critiq.) | ||
| L' Eclair | Inazuma | 1952 | 3.69 (9 Critiq.) | ||
| Sword for Hire | Sengoku burai | 1952 | |||
| The Man Who Came to Port | Minato e Kita Otoko | 1952 | |||
